On some theatre nights, you leave feeling entertained. Others leave you thinking. And then there are the extraordinary nights that leave you completely moved, shaken, inspired, and exhilarated all at once. Last night, Tina – The Tina Turner Musical was exactly that kind of night.
From the moment the lights of the Palace Theatre dimmed, the theatre seemed to pulse with energy, as if the stage itself were alive with Tina’s spirit. This isn’t just a jukebox musical or a parade of hits; it’s a story, raw and powerful, told with honesty, heart, and an intensity that grabs you by the shoulders and refuses to let go.
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Tina – The Tina Turner Musical, A Story Told Through Fire
Tina – The Tina Turner Musical is far more than a tribute show. It’s a visceral, unfiltered portrait of a woman who clawed her way from obscurity to global icon. Refusing to let the world, or the people in it, dictate her destiny. Developed with Tina Turner’s own involvement, the musical charts her path from Nutbush, Tennessee, through the turbulence of her years with Ike Turner, and into the blazing rebirth of her solo career.
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The show leans into the truth of her life with bravery. It doesn’t turn away from the darker moments, the pain, the manipulation, the violence, and because of that honesty, Tina’s escape becomes all the more staggering. When she walks away with little more than her name, the audience feels the weight of that choice.

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Reinvention on Her Terms
What follows is one of the greatest comebacks in music history. Despite the industry dismissing her as past her prime, Tina rebuilt herself piece by piece, ultimately ascending to her rightful place as the Queen of Rock ’n’ Roll. The production threads this rise through the songs that defined her career, Proud Mary, River Deep – Mountain High, Private Dancer, and What’s Love Got to Do with It.
The musical premiered in London in 2018, with previews beginning on 21 March and opening night on 17 April at the Aldwych Theatre, before making its Broadway debut the following year. But it feels just as urgent, relevant, and alive today.

Our Review of Tina
I’ve been moved by theatre many times this year, but Tina touched something deeper. It’s a production that works its way under your skin, raw, painful, exhilarating, and triumphant in equal measure. Some scenes are undeniably hard to watch; witnessing any woman endure that level of abuse is wrenching. Yet her rise from the ashes, her refusal to be anything less than herself, is nothing short of extraordinary.
The performances are astonishing. Young Anna Mae, played with luminous talent by Sophia St. Louis, sets the emotional tone from the very first moments. As adult Tina, Elle Ma-Kinga N’Zuzi and Jochebel Ohene MacCarthy don’t merely imitate her, they channel her spirit with such conviction that, at times, it feels like Tina herself is standing on that stage. Their vocal power and emotional depth are breathtaking.

As Ike Turner, David King-Yombo delivers a chilling, tightly controlled performance, capturing the charisma, menace, and complexity of the man who shaped and overshadowed so much of Tina’s early career.
The entire cast operates at this same elevated level. The staging is bold and cinematic, the costumes dazzling without ever distracting from the story, and the transitions from dialogue to concert-style numbers are seamless. There are moments when the theatre feels less like a stage and more like an arena, pulsing with energy.
By the time the final notes hit, the audience didn’t so much rise for a standing ovation as erupt into one. People were on their feet way before the end, a collective acknowledgement that we had witnessed something rare.
Where To See Tina – The Tina Turner Musical
Tina – The Tina Turner Musical is showing at the Palace Theatre, Manchester, until the 3rd of January 2026, with tickets from £15.00 plus booking fee. And then at…..
Milton Keynes Theatre, Tue 27 Jan – Sat 7 Feb 2026
Please note, I was gifted the tickets, but a review was optional. Also, see where to eat and park near the Palace Theatre. See more theatre reviews here.
